It’s time for another group posting of the
Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.
My awesome co-hosts for today are
Krista McLaughlin, Kim Van Sickler, Heather Gardner, and
Hart Johnson! Be sure to pay them a visit and thank them for helping today.
Last weekend, I handed my manuscript off to my test readers.
This was after a month of edits, which included adding numerous small scenes, embellishing on others, expanding some subplots, killing off pet words, and eliminating weak adverbs and adjectives. Plus finding misspelled words. (Why is it after writing four space operas I continue to spell hangar wrong?)
Now, I’m one of those writers who prefer the editing phase. Getting my thoughts onto paper or screen is difficult. I’m usually not fond of my story while actually writing it. During edits is when I really start to like what I’ve written. The vision comes together and I’m happy with it.
My test readers aren’t writers. They’re just readers of science fiction. As my target audience, they let me know if the story works for them, what wasn’t clear, and what more I need to add. They’re actually tougher than any critique partner. I’m not too concerned though.
My real concern is that I only have one critique partner now. And within the next couple weeks, I have to find two more.
Any speculative fiction authors looking for a critique partner?
And… I nailed the synopsis this week! (Until my publisher gets a hold of it of course.)
Big News!
CassaStorm is a finalist in the eFestival of Words Awards for science fiction!! If you enjoyed it, please vote HERE
Ninja News
I need co-hosts for the next few months for the Insecure Writer’s Support Group. If you’ve participated but never co-hosted, you’re missing a lot of fun. (Trust me, it’s even more fun to be on the host side of the equation!) If you can help in August, September, or October, just leave a comment or shoot me an email. Thanks!
Susan Gourley’s final book in The Recon Marines series,
The Marine's Doctor, is out now! Pick it up at
New Concepts Publishing.
Remake by
Ilima Todd on the cover of Publishers Weekly!
Jeremy Hawkins is hosting
What is Your Favorite T-shirt. Check his site for details.
And be sure to see all his new t-shirt designs at the
NeatOShop!
Colin Frake - On Fire Mountain Event
Coming soon – On Fire Mountain by
Colin Frake
Epic music masters, Two Steps From Hell, stretch the boundaries of the e-book, combining intriguing storytelling from Nick Phoenix, forty six hand drawn pen and ink illustrations from Otto Bjornik, and unforgettable musical themes from Thomas Bergersen—recorded with a live orchestra. Additional music by Nick Phoenix.
Soundtrack & ebook available NOW on
iBooks and
CD Baby
Create the most epic book trailer in literary history for Two Steps From Hell’s enhanced ebook, Colin Frake, using Thomas Bergersen’s compelling orchestral track, “Battle At Hoback”, a brilliant blurb from the mind of master storyteller, Nick Phoenix, and intriguing hand drawn illustrations by Otto Bjornik!
The top 3 cinematic winners, chosen by TSFH, will be featured in Epic Music Vn’s 2-year celebration tribute video and awarded copies of the Colin Frake ebook and soundtrack, as well as signed cover artwork! The overall favorite will also receive a signed future public release album!
Hosted by
Samantha Redstreake Geary and
Epic Music Vn
Traditional Publisher and Author Question
It came up on another blog about what is a traditional publisher and a traditionally published author? The assessment was that an author is only traditionally published if he is with one of the big five. Otherwise he can’t call himself traditionally published, only independently published.
I did some digging and found this:
SWFA’s site where they define traditional publisher, self-publisher, and subsidy press:
A commercial or trade publisher (a.k.a. a traditional publisher) purchases the right to publish a manuscript (usually together with other rights, known as subsidiary rights). Big houses and larger independents pay an advance on royalties; small presses often don’t. Commercial publishers are highly selective, publishing only a tiny percentage of manuscripts submitted. They handle every aspect of editing, publication, distribution, and marketing. There are no costs to the author.
This was from Writers Digest Shop:
Traditional book publishing is when a publisher offers the author a contract and, in turn, prints, publishes, and sells your book through booksellers and other retailers. The publisher essentially buys the right to publish your book and pays you royalties from the sales.
This is from Scribendi:
In traditional publishing, the author completes his or her manuscript, writes a query letter or a proposal, and submits these documents to a publishing house (or has a literary agent do this for them, if one can be acquired). An editor reads it, considers whether it is right for the house, and decides either to reject it (leaving the author free to offer it to another publisher) or to publish it. If the publishing house decides to publish the book, the house buys the rights from the writer and pays him or her an advance on future royalties. The house puts up the money to design and package the book, prints as many copies of the book as it thinks will sell, markets the book, and finally distributes the finished book to the public.
Jan Friedman had an
Infographic on the subject.
And I happened to find this on the history of traditional publishing at
Cyber College:
Before the 1960s, the book publishing industry was composed mostly of independent companies whose only business was books. But, growing profits made the business attractive to large corporations looking for new investments.
(Sad so many small publishers were gobbled up, isn’t it?)
I also sent an email to my publisher. They responded that they were surprised to find out they weren’t a traditional publisher anymore and that would be news to the tens of thousands of other small and mid-sized publishers out there. (Yeah, from their tone, I think my question amused them.) Their answer - I'm a traditionally published author.
So, what do you think is the definition of a traditional publisher? If you're an author and not self-published, do you consider yourself traditionally published? Are independent publishers still traditional publishers?
(Bet you guys never thought I’d throw out something like this for discussion, did you?)
What are your writing insecurities today? Any science fiction writers looking for a critique partner? What’s your favorite t-shirt? And how do you define a traditionally published author?
And if you can, please vote for CassaStorm at the eFestival of Words Awards!
